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tempera

American  
[tem-per-uh] / ˈtɛm pər ə /

noun

  1. a technique of painting in which an emulsion consisting of water and pure egg yolk or a mixture of egg and oil is used as a binder or medium, characterized by its lean film-forming properties and rapid drying rate.

  2. a painting executed in this technique.

  3. a water paint used in this technique in which the egg-water or egg-oil emulsion is used as a binder.


tempera British  
/ ˈtɛmpərə /

noun

  1. a painting medium for powdered pigments, consisting usually of egg yolk and water

    1. any emulsion used as a painting medium, with casein, glue, wax, etc, as a base

    2. the paint made from mixing this with pigment

  2. the technique of painting with tempera

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Etymology

Origin of tempera

1825–35; < Italian, short for ( pingere a ) tempera (painting in) distemper, derivative of temperare to mingle, temper; temper

Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

Venetian painting of the Renaissance is richly, radiantly colored, mainly because it is oil-based, unlike the Florentines’ water-based tempera, which yields a more chromatically subdued result.

From The Wall Street Journal • Jan. 30, 2026

The large tempera painting shows a group of colorfully clad people on a lawn, some eating or playing music, while others seem to be dancing.

From Seattle Times • Jun. 13, 2023

One of them, a tiny prayer book from the 15th century, is leather-bound with egg-based tempera paint and touches of gold leaf on parchment.

From Los Angeles Times • Jun. 21, 2022

He preferred tempera, a medium he loved because it dried quickly and enabled him to achieve a feeling of decay.

From New York Times • Apr. 27, 2022

The present tense is moving forward, discarding concept after concept, and I am off to the side somewhere, fiddling with egg tempera and flat surfaces, as if the twentieth century has never happened.

From "Cat's Eye" by Margaret Atwood