Offenbach

[ aw-fuhn-bahk, of-uhn-; French aw-fen-bak; German awf-uhn-bahkh ]

noun

1. Jacques [zhahk], 1819–80, French composer.
2. a city in S Hesse, in central Germany, on the Main River, near Frankfurt.

Offenbach

¹

/ ɔfɛnbak; ˈɒfənˌbɑːk /

noun

1. OffenbachJacques18191880MFrenchGermanMUSIC: composer Jacques (ʒɑk). 1819–80, German-born French composer of many operettas, including Orpheus in the Underworld (1858), and of the opera The Tales of Hoffmann (1881)

Offenbach

²

/ ˈɔfənbax /

noun

1. a city in central Germany, on the River Main in Hesse opposite Frankfurt am Main: leather-goods industry. Pop: 119 208 (2003 est)

Example Sentences

Among the dozen revivals planned for the season are Verdi’s “Rigoletto” and “Il Trovatore,” Puccini’s “Tosca” and “La Bohème,” and Offenbach’s “Les Contes d’Hoffmann,” as well as two versions of Mozart’s “The Magic Flute”: the full-length, original in German, directed by Simon McBurney, and a one-act, English adaptation that has become a holiday staple at the Met.

From New York Times

Among the dozen revivals planned for the season are Verdi’s “Rigoletto” and “Il Trovatore,” Puccini’s “Tosca” and “La Bohème,” and Offenbach’s “Les Contes d’Hoffmann,” as well as two versions of Mozart’s “The Magic Flute”: the full-length, original in German, directed by Simon McBurney, and a one-act, English adaptation that has become a holiday staple at the Met.

From New York Times

Her inventive portrayals at the Metropolitan Opera have included a slick, untrustworthy Nicklausse in Offenbach’s “Les Contes d’Hoffmann” and a wired Nerone bursting with nervous energy in Handel’s “Agrippina.”

From New York Times

The operetta composer Jacques Offenbach, who visited Vienna frequently and inspired Johann Strauss to write “Die Fledermaus,” was also well received before World War II. Operettas in Viennese dialect, such as the works of Edmund Eysler, also thrived.

From New York Times

For a singer who made her house debut in 2004, scaling Olympia’s vertiginous runs and high notes in Offenbach’s “Les Contes d’Hoffmann,” “Tosca” is a departure.

From New York Times