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mal-

1
  1. a combining form meaning “bad,” “wrongful,” “ill,” occurring originally in loanwords from French ( malapert ); on this model, used in the formation of other words ( malfunction; malcontent ).


Mal.

2

abbreviation for

  1. Bible. Malachi.
  2. Malayan.

MAL

1

abbreviation for

  1. Malaysia (international car registration)
“Collins English Dictionary — Complete & Unabridged” 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Mal.

2

abbreviation for

  1. Bible Malachi
  2. Malay(an)
“Collins English Dictionary — Complete & Unabridged” 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

mal-

3

combining_form

  1. bad or badly; wrong or wrongly; imperfect or defective

    malfunction

    maladjusted

“Collins English Dictionary — Complete & Unabridged” 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012
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Word History and Origins

Origin of mal-1

Middle English < Old French, representing mal adv. (< Latin male badly, ill) and adj. (< Latin malus bad)
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Word History and Origins

Origin of mal-1

Old French, from Latin malus bad, male badly
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Example Sentences

“Her sensitivity was so engaging and so strong that the song was created very quickly. We wrote it in the space of a few hours. For some songs, like ‘El Mal,’ we had dozens of different versions.

On the other end is “El Mal,” a driving condemnation of the terrible people — murderers, corrupt politicians — contributing to the onetime drug lord’s charity aiming to locate the remains of cartel victims.

Ducol says, “What I like in ‘El Mal’ is that we are talking about things that are quite harsh, and all of a sudden, we find ourselves before a true musical number, and we understand we are no longer in reality-based cinema.

“Coaching has that image of obsessed men driven to a point where they’ll destroy their lives,” he told The Times’ Mal Florence in 1981.

Musicals — good ones, imaginative ones, like “Emilia Pérez” — have a way of rocketing underappreciated talents into the stratosphere and, in a sequence like the hard-edged, dazzlingly choreographed “El Mal” number, in which she slices a scorn-filled path across a gala benefit of rich hypocrites, it’s easy to believe Saldaña could be the most versatile screen actor around.

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