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View synonyms for hypnotic

hypnotic

[ hip-not-ik ]

adjective

  1. of or relating to hypnosis or hypnotism.
  2. inducing or like something that induces hypnosis.
  3. susceptible to hypnotism, as a person.
  4. inducing sleep.


noun

  1. an agent or drug that produces sleep; sedative.
  2. a person who is susceptible to hypnosis.
  3. a person under the influence of hypnotism.

hypnotic

/ hɪpˈnɒtɪk /

adjective

  1. of, relating to, or producing hypnosis or sleep
  2. (of a person) susceptible to hypnotism
“Collins English Dictionary — Complete & Unabridged” 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012


noun

  1. a drug or agent that induces sleep
  2. a person susceptible to hypnosis
“Collins English Dictionary — Complete & Unabridged” 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012
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Derived Forms

  • hypˈnotically, adverb
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Other Words From

  • hyp·noti·cal·ly adverb
  • anti·hyp·notic adjective noun
  • anti·hyp·noti·cal·ly adverb
  • nonhyp·notic adjective noun
  • nonhyp·noti·cal·ly adverb
  • prehyp·notic adjective
  • unhyp·notic adjective
  • unhyp·noti·cal·ly adverb
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Word History and Origins

Origin of hypnotic1

1680–90; < Late Latin hypnōticus < Greek hypnōtikós sleep-inducing, narcotic, equivalent to hypnō- (variant stem of hypnoûn to put to sleep; Hypnos ) + -tikos -tic
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Word History and Origins

Origin of hypnotic1

C17: from Late Latin hypnōticus, from Greek hupnōtikos, from hupnoun to put to sleep, from hupnos sleep
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Example Sentences

Enough with the score, expertly handled by music director and conductor Marc Macalintal and an orchestra that blends Eastern and Western instruments to hypnotic effect.

“Streetcar” may be Williams’ most exciting and even hypnotic play, but I’m not sure it’s his best.

But unusually, danceable beats and hypnotic synths invade the archival footage of the final days of Saigon, when the U.S. government swooped in to resettle more than 120,000 refugees airlifted to military bases in 1975, rescuing them after bloodshed that left lives still ravaged today.

As captivating as Yudam Hyung Seok Jeon’s video and Eric Sluyter’s sound design and music are, it’s the hypnotic individuality and exemplary discipline of the performers that seize our attention.

It’s not surprising Morris would find this shameful chapter worthy of his hypnotic focus.

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