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fiction
[ fik-shuhn ]
noun
- the class of literature comprising works of imaginative narration, especially in prose form.
- works of this class, as novels or short stories:
detective fiction.
- something feigned, invented, or imagined; a made-up story:
We've all heard the fiction of her being in delicate health.
Antonyms: fact
- the act of feigning, inventing, or imagining.
- an imaginary thing or event, postulated for the purposes of argument or explanation.
- Law. an allegation that a fact exists that is known not to exist, made by authority of law to bring a case within the operation of a rule of law.
fiction
/ ˈfɪkʃən /
noun
- literary works invented by the imagination, such as novels or short stories
- an invented story or explanation; lie
- the act of inventing a story or explanation
- law something assumed to be true for the sake of convenience, though probably false
fiction
- Literature that is a work of the imagination and is not necessarily based on fact. Some examples of modern works of fiction are The Great Gatsby, by F. Scott Fitzgerald , and Lolita , by Vladimir Nabokov .
Derived Forms
- ˈfictionally, adverb
- ˌfictionˈeer, noun
- ˈfictional, adjective
Other Words From
- fiction·al adjective
- fiction·al·ly adverb
- pro·fiction adjective
- semi·fiction noun
- semi·fiction·al adjective
- semi·fiction·al·ly adverb
Word History and Origins
Origin of fiction1
Word History and Origins
Origin of fiction1
Synonym Study
Example Sentences
Much of Hydra’s interface would have looked familiar to anyone who’s used the dark web marketplace Silk Road or its myriad knock-off clones: you can glance through the forums and customer reviews to check which pills and powders will rock your socks off and which will leave you feeling worse than Uma Thurman in “Pulp Fiction.”
A slim science fiction novel that looks at our “precious and precarious” world through the eyes of six astronauts on the International Space Station has won the 2024 Booker Prize.
“All year we have celebrated fiction that inhabits ideas rather than declaiming on issues, not finding answers but changing the question of what we wanted to explore. Our unanimity about Orbital recognises its beauty and ambition. It reflects Harvey’s extraordinary intensity of attention to the precious and precarious world we share.”
“I realized I’m part of someone else’s fiction.”
But meta layers of surrealism are on brand for Aitken, who said he’s “really interested in that idea of, like, where the line between fiction and nonfiction gets blurred.”
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