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existentialism
[ eg-zi-sten-shuh-liz-uhm, ek-si- ]
noun
- a philosophical movement that stresses the individual's unique position as a self-determining agent responsible for making meaningful, authentic choices in a universe seen as purposeless or irrational: existentialism is associated especially with Heidegger, Jaspers, Marcel, and Sartre, and is opposed to philosophical rationalism and empiricism.
existentialism
/ ˌɛɡzɪˈstɛnʃəˌlɪzəm /
noun
- a modern philosophical movement stressing the importance of personal experience and responsibility and the demands that they make on the individual, who is seen as a free agent in a deterministic and seemingly meaningless universe
existentialism
- A movement in twentieth-century literature and philosophy , with some forerunners in earlier centuries. Existentialism stresses that people are entirely free and therefore responsible for what they make of themselves. With this responsibility comes a profound anguish or dread. Søren Kierkegaard and Feodor Dostoyevsky in the nineteenth century, and Jean-Paul Sartre , Martin Heidegger, and Albert Camus in the twentieth century, were existentialist writers.
Derived Forms
- ˌexisˈtentialist, adjectivenoun
Other Words From
- exis·tential·ist adjective noun
- exis·tential·istic adjective
- exis·tential·isti·cal·ly adverb
- nonex·is·tential·ism noun
Word History and Origins
Origin of existentialism1
Example Sentences
But it unfolds like more recent films such as “Inherent Vice” and “Under the Silver Lake” — self-conscious takes on L.A. noir that come with extra layers of existentialism and winking commentary.
“We are gods,” a colleague insists to Cross in one of several midnight symposiums on ethics and existentialism.
Fanon’s thinking syncretizes intellectual movements of the time — from Negritude to Existentialism, as well as thoughts on clinical psychology and colonialism — giving them voice in a dramatic style: soaring, sermon-like, poetic.
Later, in a film degree program at the University of Texas at Austin, he wrote scripts about existentialism.
What it does, in practice, is lend a strange vibrancy to Dot’s back story that recalls the stop-motion existentialism of Charlie Kaufman’s “Anomalisa” in how it uses a familiar technique to unfamiliar ends.
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