adjective
of or relating to the eyelids.
The Latin noun palpebra (also palpebrum) “eyelid” is composed of the verb palpāre “to touch, stroke, caress” and -brum, a suffix forming nouns of instruments, e.g., candēlābrum “a stand for holding several candles, candelabra.” Palpāre derives from a complicated Proto-Indo-European root pāl- (from peǝl-) and its many variants, e.g., pel-, pelǝ-, plē-, etc. “to touch, feel, flutter, float.” A palpebra is “something that flutters (quickly).” The root is also the source of Latin palpitāre “(of a pulse) to beat, pulsate,” pāpiliō “butterfly, moth,” and Old English fēlan “to examine by touch,” English feel. Palpebral entered English in the mid-18th century.
adrift on a gold-brown leather recliner, / the little finger of her left hand tapping / on the crocheted antimacassar, / palpebral twitches of chronic hypnagogia.
In his palpebral vision, she beckoned.
The rare English verb mump is akin to the equally rare Dutch mompen “to mumble, grumble,” and the magnificent German verbs mumpfen “to chew with one’s mouth full” and mimpfeln “to mumble while eating.” The Germanic verbs most likely derive from a Proto-Indo-European root meuǝ- “be silent,” from which English also derives mum “silent,” Latin mūtus “silent, mute,” and Greek mustḗrion “secret rite, mystery,” a derivative of mústēs “an initiate,” a derivative of mueîn “to initiate, instruct, teach,” itself a derivative of múein “to close the eyes, mouth, or other opening” (lest one reveal what is not to be revealed). Mump entered English in the 16th century.
Up, Dullard! It is better service to enjoy a novel than to mump.
Come, my dear fellow, do not spoil the excellent impression you have already made. I am sure to mump and moan is not in you …
Excogitate comes from Latin excōgitātus, the past participle of excōgitāre meaning “to devise, invent, think out.” It entered English in the 1520s.
I wouldn’t put the question to you for the world, and expose you to the inconvenience of having to … excogitate an answer.
The average politician knows fully as little or as much about railway management as he does about photographing the moon or applying the solar spectrum; yet, once upon a board of railway commissioners, he is required to excogitate and frame rules for an industry which not only supplies the financial arteries of a continent, but holds the lives as well as the credits of its citizens dependent upon the click of a telegraph or the angle of a semaphore …