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trouvère

American  
[troo-vair, troo-ver] / truˈvɛər, truˈvɛr /

noun

plural

trouvères
  1. one of a class of medieval poets who flourished in northern France during the 12th and 13th centuries, wrote in langue d'oïl, and composed chiefly the chansons de geste and works on the themes of courtly love.


trouvère British  
/ truvœr, truvɛr, truːˈvɛə /

noun

  1. any of a group of poets of N France during the 12th and 13th centuries who composed chiefly narrative works

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Etymology

Origin of trouvère

1785–95; < French; Old French troveor, equivalent to trov ( er ) to find, compose ( trover ) + -eor < Latin -ātor -ator

Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

The chansons had a common form, or something very like it, which almost dispensed the trouvère from devoting much pains to the individual conduct of the story.

From The Flourishing of Romance and the Rise of Allegory (Periods of European Literature, vol. II) by Saintsbury, George

Lastly, Walther von der Vogelweide appears to have been actually a "working poet," as we may say—a trouvère, who sang his own poems as he wandered about, and whose surname was purely a decorative one.

From The Flourishing of Romance and the Rise of Allegory (Periods of European Literature, vol. II) by Saintsbury, George

In the first part all the love-poetry of troubadour and trouvère is gathered up and presented under the guise of a graceful dreamy symbolism, a little though not much sicklied o'er with learning.

From The Flourishing of Romance and the Rise of Allegory (Periods of European Literature, vol. II) by Saintsbury, George

A trouvère of the thirteenth century, named Robert de Blois, compiled a code of etiquette which he put in French verse under the title, Chastisement des Dames.

From Women of England by James, Bartlett Burleigh

And though in the lyric, the debt due to both troubadour and trouvère is unmistakable, it is equally unmistakable what mighty usury the minnesingers have paid for the capital they borrowed.

From The Flourishing of Romance and the Rise of Allegory (Periods of European Literature, vol. II) by Saintsbury, George