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Doric
[ dawr-ik, dor- ]
adjective
- of or relating to Doris, its inhabitants, or their dialect.
- rustic, as a dialect.
- Architecture. noting or pertaining to one of the five classical orders, developed in Greece and altered by the Romans. The Greek Doric order consists typically of a channeled column without a base, having as a capital a circular echinus supporting a square abacus, above which come a plain architrave, a frieze of triglyphs and metopes, and a cornice, the corona of which has mutules on its soffit. In the Roman Doric order, the columns usually have bases, the channeling is sometimes altered or omitted, and the capital usually consists of three parts: a thick, bandlike necking, an echinus with an ovolo outline, and a molded abacus. Compare composite ( def 2 ), Corinthian ( def 2 ), Ionic ( def 1 ), Tuscan ( def 2 ).
noun
- a dialect of ancient Greek spoken on Rhodes and other islands of the Dodecanese, in Crete, in Syracuse, and in all of the Peloponnesus except Arcadia.
- rustic English speech.
Doric
/ ˈdɒrɪk /
adjective
- of or relating to the Dorians, esp the Spartans, or their dialect of Ancient Greek
- of, denoting, or relating to one of the five classical orders of architecture: characterized by a column having no base, a heavy fluted shaft, and a capital consisting of an ovolo moulding beneath a square abacus See also Ionic composite Corinthian Tuscan
- sometimes not capital rustic
Doric
- One of the three main styles of Greek architecture (the others are Corinthian and Ionic ). The Doric column is heavy and fluted; its capital is plain.
Other Words From
- pre-Doric adjective
Word History and Origins
Origin of Doric1
Example Sentences
“Hey, Mary Anne,” Ben said from his perch on the green railing where he leaned against the white doric column.
The house was tall and stately with white doric columns across the front.
He stands at a podium against the backdrop of blue wall and ersatz white doric columns that would not look out of place in Las Vegas, though they long predate Trump’s arrival.
Inside the court’s white marble and crimson chamber, beneath its high ceiling, classical frieze and doric columns, Scalia’s black-draped chair, between Roberts and Clarence Thomas, will remain empty for 30 days after his death.
The heavily pitted doric colonnades march gloomily into the distance; the crumbling masonry sprouts foliage.
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