aria

¹ American  

[ahr-ee-uh, air-ee-uh] / ˈɑr i ə, ˈɛər i ə /

noun

1. an air or melody.

2. an elaborate melody sung solo with accompaniment, as in an opera or oratorio.

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Aria ² American  

[ahr-ee-uh, uh-rahy-uh] / ˈɑr i ə, əˈraɪ ə /

noun

Classical Mythology.

1. a nymph, the mother of Miletus, by Apollo.

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-aria ³ American  

1. a suffix occurring in scientific terms of Latin origin, especially in names of biological genera and groups.

   filaria.

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aria British  

/ ˈɑːrɪə /

noun

1. an elaborate accompanied song for solo voice from a cantata, opera, or oratorio See also da capo

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aria Cultural  

1. A piece of music for one voice (or occasionally two voices) in an opera, oratorio, or cantata. In contrast with recitative singing, arias are melodious; in contrast with ordinary songs, arias are usually elaborate.

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Some composers, such as Richard Wagner, have felt that arias interrupt the action of opera too much and hence have written operas without them.

Etymology

Origin of aria¹

From Italian, dating back to 1735–45; see origin at air ¹

Origin of -aria³

< Latin: feminine singular or neuter plural of -ārius -ary

Explanation

An aria is an elaborate song written specifically for a solo voice. If you find yourself belting out "Che gelida manina" from La Boheme in the shower, you’ve just been performing an aria. The word aria comes from the Italian and means "air." The word is often used to describe songs from operas. Two famous ones include “L’amour est un oiseau rebelle” — "Love is a rebellious bird" — and “O mio babbino caro” — "Oh my dear Papa!" It is sometimes used almost metaphorically to describe someone’s impressive solo performance of any type. Arias within opera, and classical music in general, are almost always accompanied by instrumental music, but there is only one voice.

Example Sentences

The song Sweet Transvestite has been described as the first big, glam-rock aria of the musical, and is the audience's introduction to Dr Frank-N-Furter.

From BBC • Mar. 9, 2026

Yvonne Russo’s documentary “Viva Verdi!” captures the vibrant life inside its walls, expressed in the aria “Sweet Dreams of Joy,” sung by soprano Ana María Martínez and composed by Nicholas Pike.

From Los Angeles Times • Feb. 23, 2026

Not everyone was happy with the last minute arrangement however, with some members of the audience reportedly booing when the opera's famous aria -- Nessun dorma -- was omitted.

From Barron's • Jan. 29, 2026

As the Choreographer, Megan Moore’s plangent mezzo was especially effective in her mourning aria; soprano Whitney Morrison was dramatic as the Performance Artist, the only member of the creative quintet who sees what is coming.

From The Wall Street Journal • Dec. 22, 2025

She must continue singing until she reached the difficult trill at the end of the aria, in order to show off the range and power of her voice.

From "The Voice That Challenged a Nation: Marian Anderson and the Struggle for Equal Rights" by Russell Freedman