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ancona

1 American  
[ahn-kaw-nah, ang-koh-nuh] / ɑnˈkɔ nɑ, æŋˈkoʊ nə /

noun

Italian.

plural

ancone,

plural

anconas
  1. an altarpiece, usually consisting of a painted panel or panels, reliefs, or statues set in an elaborate frame.


Ancona 2 American  
[ahn-kaw-nah] / ɑnˈkɔ nɑ /

noun

  1. a seaport in E Italy, on the Adriatic Sea.

  2. one of a Mediterranean breed of chickens having mottled black-and-white plumage.


Ancona British  
/ aŋˈkoːna /

noun

  1. a port in central Italy, on the Adriatic, capital of the Marches: founded by Greeks from Syracuse in about 390 bc . Pop: 100 507 (2001)

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Etymology

Origin of ancona

First recorded in 1870–75

Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

He had picked up the first fragment, a slender St. Catherine of Alexandria demurely leaning upon her spiked wheel, at a provincial antiquary's in Romagna, not far from where the ancona had been impiously dismembered.

From The Collectors by Mather, Frank Jewett

Crivelli continued executing one great ancona after another, limiting his progress to perfecting his technique, and his influence was most deeply felt by such Umbrian painters as Lorenzo di San Severino and Niccola Alunno.

From The Venetian School of Painting by Phillipps, Evelyn March

The chapel of San Tarasio in San Zaccaria contains an ancona of which the central panel was only inserted in 1839, and is identical with Lorenzo’s other work.

From The Venetian School of Painting by Phillipps, Evelyn March

It is clear from his size and position that the ancona has been painted for an altar specially dedicated to this Apostle.

From The Venetian School of Painting by Phillipps, Evelyn March

About this period, Allegri painted in the church of the Conventuals, at Coreggio, what is termed an ancona, a small altar-piece in wood, consisting of three pictures.

From The History of Painting in Italy, Vol. IV (of 6) from the Period of the Revival of the Fine Arts to the End of the Eighteenth Century by Lanzi, Luigi Antonio