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Van Dine

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Van Dine, who created some of the most brilliant mysteries of the genre.

Van Dine’s first Philo Vance mystery, “The Benson Murder Case” and Cornell Woolrich’s suspense-filled, “Deadline at Dawn,” and our own Library of Congress’s Crime Classics program has reissued novels as varied as Rudolph Fisher’s pioneering African American mystery, “The Conjure-Man Dies,” and Hillary Waugh’s genre-establishing police procedural, “Last Seen Wearing.”

“The Kidnap Murder Case” is real, simon-pure Van Dine, and that should be good enough for anybody.

Van Dine, whose cosmopolitan Philo Vance is a more effete version of Lord Peter Wimsey; Dashiell Hammett’s hard-boiled “Red Harvest,” which features the Continental Op; and the gangster classic, W.R.

It is hard to know if these authors would have been aware of Eliot’s own rules, published the year before, but many of their principles echo Eliot’s parameters of fair play: Van Dine wrote that “no willful tricks or deceptions may be placed on the reader”; the Detection Club’s Oath, which was based on Knox’s commandments, required its members to promise that their stories would avoid making use of “Divine Revelation, Feminine Intuition, Mumbo-Jumbo, Jiggery-Pokery, Coincidence, or the Act of God.”

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Van Diemen's Landvan Dongen